Category: Theatre

All the things I love are shut

All the things I love are shut

Here are some of them:

  • Ronnie Scott’s Club
  • 606 Club
  • Tate Britain
  • My gym
  • Franco Manca (Victoria Branch)
  • Brixton Ritzy
  • Banh Banh (Brixton)
  • Natural History Museum
  • Clapham Picture House
  • St John’s Smith Square

Don’t worry this is no anti-lockdown, anti-vax, Bill Gates and 5G Networks control the world rant, it’s just me listing and missing what I love. Make no mistake I’ll be rolling up my sleeve to receive a vaccine as soon as one is on offer.

I’ve lived in central London for most of my life because I love it. I’ve always felt sorry for those who were forced to live in town, hated it, but had to do so because of their job. Then I’d say well at least you’ve got live music, theatre, museums to which many would reply well I don’t go to them much anyway. Now I hear several of my friends and colleagues are moving out of town because they’re working from home and will be for the foreseeable future. And those who had three-hour daily commutes are spared that grind and can remain rural. Covid has put rocket boosters on remote working and we’ll be living with the consequences for many years, many of which are not all bad.

As for me, will I be moving to the countryside? Not a chance. I like to take trips out of town on a weekend but come Sunday evening it’s time to head back to civilisation. The problem is of course that civilisation as I know and like it is pretty much closed.

First bike ride of 2021

I’ve just come back from my first bike ride of 2021. A 17K spin around Pimlico, Victoria, Hyde Park, Oxford Street, Chancery Lane, the City, over Blackfriars Bridge and home to the Oval. I’ve never seen London so empty, which is a big fat lie as it was just as empty in March when I was doing the same ride albeit in more pleasant early Spring weather. Despite there being virtually no cars, I still manged to give a Black Cab driver apoplexy with him shaking his fist at me for reasons I’m a little hazy about. One of the things he probably hates are all the new cycle lanes that have popped up all over town. They are a godsend to us two wheelers and another unexpected Covid bonus, though that’s not a view often shared by the four-wheel community. You can now pedal safely up Park Lane which used to feel like joining an F1 starting grid.

Low-traffic neighbourhood

We now live in a new low-traffic neighbourhood which means our streets have become virtually pedestrianised. I see families with very young kids pedalling around in safety in a way that could never have happened before. Once again car drivers don’t much like the look of LTNs, but to me they are another bit of lockdown luck. Don’t get me wrong, I’m not anti-car, I don’t own one, but we use Zip cars on a regular basis.

I always detest January and February; they seem to holdout so little chance for fun. This year more so than ever. Mrs Preen is engaged in dry January which always seems such a poor month to stay off the booze. I’ll be endeavouring not to drink during the week but may get on the outside of the good stuff over the weekend.

This seems rather a bleak post to start the New year, but with vaccines ready to be jabbed into our arms things will hopefully improve and perhaps 2021 will be a Happy New Year even if it takes a little time for the happiness to arrive. I’m sat here waiting for London to wake up once again.

The Hard Yard

The Hard Yard

This is why I love London and perhaps it’s one of the reasons you do too. To be fair you may not even like going to the theatre and do you really want to watch a play written in 1953 that dramatizes the Salem Witch trials that took place in 1692 which is an allegory on the McCarthyism that was plaquing the US at the time the play was written? The answer to that tangled list of questions is actually yes, but let me explain.

Arthur Miller’s The Crucible is currently playing at The Yard Theatre in Stratford and while I’m loath to do reviews on this blog, I leave that to others, I’ll just say this an extraordinary production that left the audience breathless the night I went. If anything, the director, Jay Miller packs too much into the show, hardly allowing the play to settle, but let’s not carp. The play starts with the cast sitting in chairs with their names on the seat-back. They start talking in British accents and I thought well OK, most would have just arrived in America and perhaps would retain their original accent whatever that sounded like in the 17th century. But gradually as the action gets under way their accents change to American and modern dress is replaced by period costumes. This is just one of the striking aspects of this production.

So why does this make me love London? Well it’s fairly obvious. This is a stellar production with a stellar cast, and everyone complains how expensive London is, but here in Stratford an evening at The Yard will cost you, top price £21. If you’re under 25 and turn up on the night and there are tickets available, then it’s yours for a fiver. I go to The National Theatre and the West End quite a bit and inevitably it’s full of middle aged, middle class people like me. Who else can afford it? Here at the Yard it’s stuffed with young people eager for a theatrical treat. And that is exactly what they get.

The theatre seats may be hard and made from plastic stacking chairs that have been torn apart and screwed into a wooden amphitheatre. The whole place was built out of salvaged material and has the feel of make do and mend, but don’t let that put you off. Twenty-one quid for a world class show; well you’d be foolish not to.

The Yard Theatre, it’s another London wonder.